Category / Curriculum

by nflanagan

Men Who Like Books Start Out as Boys Who Read

Maureen Dowd, in a NYT article entitled Attention, Men: Books are Sexy!:

Men are reading less. Women make up 80 percent of fiction sales. “Young men have regressed educationally, emotionally and culturally,” David J. Morris wrote in a Times essay titled “The Disappearance of Literary Men Should Worry Everyone.”

The fiction gap makes me sad. A man staring into a phone is not sexy. But a man with a book has become so rare, such an object of fantasy, that there’s a popular Instagram account called “Hot Dudes Reading.”

It’s enough to make me re-up my abandoned Instagram account.

I also sincerely hope that Maureen and I are not a dying breed, older women (we are the exact same age) who find Men Who Read attractive. I once experienced a tiny swoon when I read that Stephen King carries a paperback with him, wherever he goes. You know, in case he has to wait 10 minutes in line at the post office.

This is more than just my elderly romantic fantasy, however. I think Men Who Read are—or should be—a national education goal. Not men who can decode, nor men who can type fast with their thumbs or pass tests about content. Men who actually enjoy reading.

Reading to use their imagination, rather than seeing prepackaged ideas on video. Reading and—important–evaluating information. Using the language they absorb, via reading, in their daily interactions with others. Reading for pleasure.

Personal story: When I met my husband, he told me about working third shift at the Stroh’s factory in Detroit, while he was in law school. His job involved dealing with a machine that flattened cardboard beer cases and needed tending only at certain times. The rest of the time he filled with reading, hours every night. He would take two books to work, in case he finished the first one. He read hundreds of library books, mostly popular fiction.

He is still that person, 46 years later. Swoon-worthy.

When I read (endlessly) and think about how we’re teaching reading these days, it strikes me that the discussion is almost entirely technical: Do we really have a “reading crisis?”  Why? Is it the fault of a program that was once popular and taught millions of kids to read, but is now being replaced, sometimes via legislation crafted by people who haven’t met first graders or stepped foot into their classrooms?

I recently had a conversation with a middle school teacher in Massachusetts who is a fan of phonics-intensive science of reading curricula, largely because she gets a high percentage of non-readers into her Language Arts classes, kids who have big brains but no reading skills. She’s had some success in getting them to read, using sound-it-out instructional materials they should have experienced in early grades.

Good for her. And good for all teachers who are searching (sometimes in secret) for the right strategies to get their particular kids to read. But I’d like to point out that if the technical skills of reading aren’t matched by reasons for reading, it’s like any other thing we learn to do, then abandon. I’m guessing my friend’s students want to learn to read, because they like her, and they find what she’s teaching them interesting.

From an Atlantic piece: ‘The science of reading started as a neutral description of a set of principles, but it has now become a brand name, another off-the-shelf solution to America’s educational problems. The answer to those problems might not be to swap out one commercial curriculum package for another—but that’s what the system is set up to enable.

A teacher must command a class that includes students with dyslexia as well as those who find reading a breeze, and kids whose parents read to them every night alongside children who don’t speak English at home.

There you have it. We’re looking, once again, for a one-size-fits-all solution to a technical, easily measured “problem”—reading scores—when what we really need is honest reasons for people to pick up a book. Or a newspaper. To enjoy a story, or a deep dive into current issues.

My dad, who didn’t graduate from HS and had a physical job all his life, came home from work every afternoon and read the newspaper. He was more literate than many college grads I know.

He had reasons for reading. He was not carrying a smartphone and had only three TV channels, undistinguished by political points of view. He read TIME and LIFE magazines. I disagreed with my father on almost every issue, back in the day, but he could marshal a political argument. Because he was a reader.

So why are reading scores dropping? Curriculum and poor teaching are lazy, one-note answers. If we want a truly literate population, we need to make reading and writing essential, something that kids can’t wait to do. Because it’s a passageway to becoming an adult, to succeeding in life, no matter what their goals are, or how they evolve.

We currently have a president who doesn’t read his daily briefings, and bases his critical viewpoints on hunger in Gaza on what he sees on TV. But we used to have a president who published an annual list of his ten favorite books.

Which one of them is a (sexy) role model?

by nflanagan

A “Moment of Reckoning” or Just More Empty Hysteria?

I’ve been more or less off the grid for the past two weeks, vacationing in Alaska and determined not to let the repellent Epstein Saga or other assorted travesties spoil the snow-capped mountain vistas. Which means that a whole lot of education-related stories have been waiting in my mailbox.

Lurking bad news, for the most part (even Trump “returning” five-point-something billion to schools is tainted by the knowledge that we’ll see those cuts again—and more). Most of the bad news is cuts, in fact—or scams, like this voucher doozy in Arizona.

Can I just say that education journalists could do the citizenry a solid by continuously reporting all the resources—human and material—that have already been lost? Or by informing parents and communities about residual effects of a global pandemic or unwarranted attacks on public education?

Instead, we get idiotic headlines like this one: A Moment of Reckoning for Michigan Schools. (Cue disaster music.)

The headline is followed up with a series of articles with titles like Michigan spent big to fix schools. The result: Worse scores and plenty of blame. And Mississippi turned around its schools. Its secret? Tools Michigan abandoned.

The “effective tool” that Michigan abandoned? Our late-but-not-lamented Third Grade Flunk law, valid critiques of which centered on the damage done to kids by being forced to repeat a grade, the financial burden on schools as they are compelled to provide an additional year of instruction to large segments of their elementary population, and the complete lack of proof that these laws work.

Makes you wonder where this unsubstantiated condemnation comes from—that’s the disappointing part. These articles (and more just like them, hacking away at our public schools) are from Bridge Magazine, a fairly centrist, nonpartisan publication that focuses on issues in the Mitten State.

I interviewed its founder, eminent journalist Phil Power, shortly after Bridge launched, in 2011, and invited him to speak to the Michigan Teacher Forum, where he proclaimed his undying support for public education and especially for the hard-working teachers in Michigan public schools. Bridge seems to have moved on from those ideas, however, adopting a common politicized perspective: Oh no! Our state is falling behind other states!

There’s a lot to debunk in the series of Bridge articles (wherein I found precisely one veteran teacher quoted, mildly suggesting that the silver-bullet “Science of Reading” prescription was only one of the ways that students learned to read), but I am too jet-lagged to tackle these, point-by-point, at the moment.

State Senator Dayna Polehanki, a former teacher, did some debunking, however. From her Facebook post:

“While I won’t denigrate Mississippi’s efforts to improve its academics, the picture being painted by at least one Michigan publication that Mississippi is outperforming Michigan on the NAEP reading test (“The Nation’s Report Card”) is MISLEADING.

While Mississippi has *scored higher than Michigan ONE TIME over the past decade on the Grade 4 NAEP reading test . . .

Michigan has *scored higher than Mississippi EVERY TIME over the past decade on the Grade 8 NAEP reading test.

The assertion in the Michigan publication that Michigan “abandoned” our 3rd grade read-or-flunk law to our detriment is not supported by test score data.

It’s not surprising that states that flunk their “worst” 3rd grade readers achieve elevated results ahead of the Grade 4 NAEP reading test, but these elevated test scores tend to flatten over time (by Grade 8 NAEP reading), like they do with Mississippi.

This is borne out in NAEP data from other states as well, like Florida, which also flunks its worst performing 3rd grade readers.”

In fact, there are plenty of pieces debunking the “Mississippi Miracle,” from its deceptive gaming of the system, to right-wing blah-blah claiming that raising 4th grade reading scores isn’t enough—that Mississippi needs vouchers, immediately, to solve its poverty-related education problems.

What all these pieces have in common might be called uninformed–or “lazy,” take your pick–journalism. Education data is not easy to interpret, nor is it truth. One example: A NAEP score of “Proficient” doesn’t mean “on grade level” as most people (including some education journalists) seem to think it does.

Worse, relying solely on test scores doesn’t tell us how successful schools actually are. For that, we need to look at a wide range of factors. It’s interesting that, two weeks before Bridge launched its so-called Moment of Reckoning, they published a piece noting that only 9% of the state’s public schools currently have a full-time librarian.

Think that has anything to do with our faltering reading scores?    

In the end, schools are comprised of people and programming. The more instruction is tailored to the students in that school, the more dedicated and skilled the personnel are, the better the results. Score competitions with other states are pointless.

There are hundreds of ways to improve student learning: Universal free preschool attached to high-quality childcare. Smaller classes, especially for our youngest learners. Recruiting, training and paying a long-term teaching force. Stable housing and health care for all children. A hot breakfast and lunch, plus plenty of recess time. Government supports for public education. I could go on.

None of these are free, or likely to come down the pike in Michigan or anywhere else in the near future.

Are we reckoning with that?

by nflanagan

Teachers Work in Systems We Did Not Create

Back in the day, I used to go to ed-tech conferences, especially the Michigan Association for Computers Users in Learning (MACUL) gathering. Like everyone else, I was there to find that elusive app or device that would make my work easier.

For maybe a decade, MACUL was the hot ticket, worth burning a personal day, sitting in ballrooms looking at guys in logoed polo shirts and khakis, narrating fast-paced product-focused PowerPoints with amusing memes sprinkled throughout. The first question you got, wandering through the massive exhibits hall was “Are you in charge of tech purchases for your school?”

Nope, I wasn’t.

What I was looking for was new ways of thinking about education, specifically music education. It seemed to me that music, as a human endeavor, was way more than what I was teaching: how to play an instrument and replicate pre-written pieces, as accurately as possible. These were skills that were fairly easy to standardize and grade, but 180 degrees away from creativity and improvisation, the capacity to play with musical ideas, and evaluate your own results. Not to mention things like joy and fun.

I was working in a system that privileged the standard school band, including competitions evaluating fidelity to everything from instrumentation to tempo markings. The party line on music education is that it’s creative, but secondary music education often leaves little room for students’ imagination or original work. The teamwork and drive for excellence are valuable, but usually end when a student graduates.

Don’t get me wrong—learning to play a musical instrument and read music are useful, foundational skills in ways that many folks don’t see or appreciate. If I ran the world, all kids would learn to play an instrument, to understand and create their own music, and play daily with others.

But how could I encourage my students to try out their own musical ideas? To have fun, even jam, without a conductor and sheet music and—God forbid—weekly playing tests, speaking of pre-set system reqs… This seemed to be something that technology might do.

 Now, 20 years later, there are plenty of creative music apps to carry around on your phone or tablet. But what the techies were selling, back then, fell into three buckets:

The first was programs to make school administration easier— attendance, budgets, scheduling,etc. The second group were things to make teachers’ non-instructional duties easier—grading, standards, lesson planning, and so on. The third cluster was programs for students, most of which were usable by classes, in computer labs and directed by teachers.

There was lots of new! exciting! software, but nobody seemed to be interested in developing programs that let students experiment with the tools of music. At least, not for schools, where performing concerts and musical events for parents and the community were the ultimate curricular goals.

It was a system I didn’t create, and innovative technologies were no help in budging it. Even in ways that I knew would be good for kids, building their confidence and exploring their individual musicianship.

I thought about that today when I read this article in WIRED: Microsoft, OpenAI, and a US Teachers’ Union Are Hatching a Plan to ‘Bring AI Into the Classroom.’  The National Academy for AI Instruction will make artificial intelligence training accessible to educators across the country, a first-of-its-kind $23 million initiative funded by the tech companies to bring free training to teachers.

First thought: Do teachers WANT to bring AI into their classrooms? If so, for what purposes?

Second thought: Why is the AFT jumping on this bandwagon? To “get ahead” of some imaginary curve? To get “free” (and none of this is truly free) stuff?

Third thought: Since AI is essentially composed of stolen content, what does this do for teachers who still believe in nurturing students’ imagination? Somebody created all the literature, art and other media that goes into the giant maw of AI, so there are also ethical questions.

Final thought: Why are we ‘training’ educators to do what OpenAI thinks they should be doing? Did we ask teachers first—what would you like to know about AI? How do you think it could be useful in your classroom?

Once again, we’re forcing teachers into systems they did not create. And that’s never a good idea.

by nflanagan

Teach Your Children Well

It used to be fairly common in Traverse City, Michigan—a Michael Moore sighting. I once stood in line behind him at a Coldstone Creamery on Front Street (no longer there, alas). During the summer TC Film Festival (also no longer in existence), he was everywhere, leading panel discussions and walks around TC’s beautiful, turn-of-last-century downtown neighborhoods.

Michael Moore’s star has faded here, for various reasons. He’s never been an easy person to watch on TV, full of himself and, sometimes, an explosive but unreliable narrator of what’s happening in this country. You certainly know where he stands—but he can be a grating spokesperson.

Nevertheless, I read his free newsletter and found his April 30 column on the Vietnam War—where he points out that we’ve never as a nation, admitted our guilt or apologized–moving and worth deep consideration:

“They kicked the ass of a military superpower — and sent 60,000 of our young men home to us in wooden boxes (nine of them from my high school, two on my street) and hundreds of thousands more who returned without arms, legs, eyes or the mental capacity to live life to its fullest, forever affected, their souls crushed, their nightmares never-ending. All of them destroyed by a lie their own government told them about North Vietnam “attacking” us and the millions of Americans who at first believed the lie. This past November 5th showed just how easy it still is for an American president, a man who lies on an hourly basis, to get millions of his fellow citizens to fall for it. 

I think we need to do this for our children’s sake, for our grandchildren, for the sake of our future if there still is one for us. We should take just one day every year and participate in a national day of reckoning, recollection, reflection, and truth-telling, where together we actively seek forgiveness, make reparations and further our understanding of just how it happened and how easy it is for the wealthy and the political elites and the media to back such horror, and then to get the majority of the country to go along with it… at least at first. And how quickly after it’s over we decide that we never have to talk about it again. That we can learn nothing from it and change nothing after it. 

Teach our children this truth about us. About our history. Give them this knowledge and with it comes the opportunity for us to change and make different choices for our future. To be a different people. A peaceful people. The Germans did it. The Japanese, too.”

And here we are, again, creating an unnecessary war—this time on our own city streets. And the question bubbles up: Are we teaching our children the truth about the place where they live? And, even more important, what will happen if/when they believe the lies their government is peddling?

I was interested in this observation from the new National Teacher of the Year, Ashlie Crosson, from Pennsylvania: “Teachers shouldn’t shy away from using challenging texts and conversations in their classrooms, even if they touch on divisive topics.“

It’s a reasonable statement you might expect from any accomplished teacher—but one that could now get you fired in some states and districts. Chaos and fear and flooding the zone are part of media assessments of public education in June 2025, along with smiling photos of HS graduates and end-of-year academic honors.

Robert Reich said it well:
“Why is Trump trying to cancel “Sesame Street,” which has helped children learn to read and count for over half a century? Why is he seeking to destroy Harvard University? Why is he trying to deter the world’s most brilliant scientists from coming to the United States?

Because he is trying to destroy American education — and with it, the American mind.”

Is there anything teachers can do to stop the ongoing attack on becoming genuinely well-educated? To not be fearful of ideas or painful truths?

Individual teachers are seldom visible enough to draw widescale media-fed wrath (which is why I found the new National TOY’s remarks brave)—political opponents of public education generally target teacher unions, well-endowed universities, and programs that provide free breakfast and lunch or wraparound healthcare for kids who need it.

With the upcoming NO KINGS National Protests, I’ve seen lots of social media memes urging people to do what they can. To march and carry signs, of course—but also to speak to those in their circle of influence, to write, to model democratic principles. To behave as engaged citizens—and to teach their children the truth about our history, with the goal of becoming a peaceful people.

Let’s teach our children well. (click—it’s worth it)



by nflanagan

Are Women the Cause of Reluctance to Read?

I remember learning–perhaps in a grad class or professional development session, years ago–that boys didn’t like to read about girl things. You know—relationships, communication, emotions, the finer points of making a home or enriching family life. Boys wanted to read stories about adventures, we were told. Starring, naturally, other boys.

Ergo, if we wanted to turn boys into enthusiastic readers, we needed books where boys did boy stuff—creeks, animals, cars, fights, danger, you name it. Write it and they will come.

I thought about this when re-reading A Separate Peace this month. My book club is doing a “Books You’ve Already Read—or should have read” month, and I thought it was time to re-read a book that I put on my Top Ten list for decades.

(Seriously—I kept continuously updated top ten lists of books, movies and LPs until I had both children and a full-time job. There are still some gems on those lists—but also some really embarrassing stuff.)

I wouldn’t, however, call Separate Peace an embarrassing pick. I read it in high school, although not as a class novel. In the late 60s, my public high school adopted a choice-based language arts curriculum. Instead of English 9/10/etc, there was an array of semester-long courses. I took journalism, speed reading and Great Books, a totally wonderful class where students did nothing but read books, then journal their impressions.

There was a list of great books (SP was on it), but you could also deviate, with the teacher’s permission. It was that teacher—Mrs. Palmer—who introduced me to Daphne du Maurier, Virginia Woolf, and Madeleine L’Engel.

It’s hard for me to put my finger now on why I loved Separate Peace so much. Partly, it was the boarding school setting—what it would be like to live in dorms, with other students whose parents weren’t scraping to pay the mortgage, for whom college was a certainty, not a stretch.

Mostly, though, I think it was because—spoiler—there’s a death in the book, under unusual circumstances, leading the reader (this teenaged reader, anyway) to muse on Big Meaningful Issues. In case you’re wondering whether I noticed the homoerotic flavor of the relationship between the narrator and his best friend, the answer (1969) is no and (2025) yes.

But here’s what really jumped out at me, some 50+ years later: there are no women in this book. Aside from a couple of sentences mentioning a screechy school nurse, and a sentence describing a classmate’s mother as kindly, there is zero female presence in this book. There’s plenty of adventure, danger, scrapes and disobedience. Even a student-led tribunal, and a World War. But not a single woman, or girl.

From a recent article in The Guardian, about a newly formed publishing house that intends to publish only books by men: 

Cook said the publishing landscape has changed “dramatically” over the past 15 years as a reaction to the “prevailing toxic male-dominated literary scene of the 80s, 90s and noughties”. Now, “excitement and energy around new and adventurous fiction is around female authors – and this is only right as a timely corrective”.

“This new breed of young female authors, spearheaded by Sally Rooney et al, ushered in a renaissance for literary fiction by women, giving rise to a situation where stories by new male authors are often overlooked, with a perception that the male voice is problematic,” he said.

Hunh. I wasn’t really paying attention to any toxic literary scene in the 1980s and 90s, due to the aforementioned family and job. But I was still reading a lot—and was deeply involved in whether and what my students were reading. Or not reading.

It was a time when getting any kind of reading material—from comic books to Captain Underpants— into kids’ hands was the prescription for reluctant readers. There was a rolling bookshelf in my band room, filled with books about music and musicians. Some had some vaguely naughty photos. I purchased all of them, and they were well used.

My take on any reduction in male readers in the 21st century is that omnipresent screens, not problematic masculine voices, are responsible.

Still. What I notice about this (well-meant, I assume) announcement is that it only took a couple of decades for men to perceive that women were “ushering in a renaissance,” then set up their own literary clubhouse, no girls allowed.

There’s also this:
Less than half of parents find it fun to read aloud to their children, new research shows. Only 40% of parents with children aged 0 to 13 agreed that “reading books to my child is fun for me”, according to a survey conducted by Nielsen and publisher HarperCollins. The survey shows a steep decline in the number of parents reading aloud to young children, with 41% of 0- to four-year-olds now being read to frequently, down from 64% in 2012.

A significant gender disparity was identified, with 29% of 0- to two-year-old boys being read to every day or nearly every day compared with 44% of girls of the same age.

Plus this, ominously: Many parents focus on the literacy element of reading, seeing it as a skill, rather than encouraging a love for reading in their children.

So—who’s not reading, and why?

If you talk to the Science of Reading crowd, boys’ reading difficulties and reluctance to read can be laid at the feet of teachers who were never taught the only correct protocols for reading instruction, or—worse—fail to use them with fidelity, a word I have come to loathe when applied to pedagogy.

And since the overwhelming majority of early-grades teachers are women, this can be construed as another way in which women are not paying attention to the needs of boys. But it’s so much more complex than phonemic awareness, yada yada.

The Great Books class at my high school only lasted a few years, then fell when the “cafeteria curriculum” became outmoded, in favor of … what? I forget. Back to Basics? One of our cyclical returns to The Canon—in which white male-authored books have literally always been deemed more worthy of study?

All children deserve to be read to, daily, even when they’re able to read themselves. Stories about both boys and girls. Because that’s how they learn to be curious about the real world.

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by nflanagan

A Veteran Teacher’s Thoughts about ADHD

I can remember the first time I heard about ADHD. It was in the early 1990s—and the person who was educating me was the mother of one of my students. His teachers—six of us, plus an admin—were sitting around a table, meeting to discuss his classroom behaviors (not good), when she whipped out stapled packets of articles on ADD.

He’d been officially diagnosed, and she was part of a parent support group, which provided materials for teachers. The packets she gave us were thick—maybe 50 pages—and filled with scientific-sounding information about diagnosis and treatment of this disease, then thought to apply to perhaps three percent of all students.

Reading through it (rather than round-filing it, as a couple of colleagues did), you could see what was coming. The Attention-Deficit Era had begun. He wasn’t hyperactive or oppositional-defiant, or a troublemaker. Not anymore. He had ADD.

Let me say, upfront, that I believe ADHD is a real thing, and using medication judiciously to treat it is often a lifesaver for parents and teachers. Let me also say that the way some classrooms operate is not conducive to deep learning for a range of students who need lots of movement and hands-on activities. And—side note– this is often not their teachers’ fault, given our increasing national focus on testing, compliance and narrowing the curriculum. Raising the damned bar.

I was horrified to read in Paul Tough’s excellent piece in the NY Times Magazine, Have We Been Thinking About A.D.H.D. All Wrong?  that nearly a quarter of 17-year old boys in the United States have now been diagnosed as having ADHD. Tough does a good job of tracking the factors—drug treatments, specifically—that have made one in four boys unable to focus in a quiet classroom without chemical assistance.

He rightfully notes that ADHD symptoms also look like a lot of other things: anxiety, head injury, lead exposure and many other traumas.

But the piece ends on a hopeful note, with lots of testimony from young adult men who have found the right jobs and life circumstances and seldom experience troublesome ADHD symptoms. Which makes me ponder what there is about school that makes the kids we used to call hyperactive need drugs to get by every day, even though the medicines don’t improve their learning.

“Believing the problem lay in their environments rather than solely in themselves helped individuals allay feelings of inadequacy: Characterizing A.D.H.D. as a personality trait rather than a disorder, they saw themselves as different rather than defective.”

The kid whose mother insisted he had a disease, rather than merely being disobedient? He was, in fact, hyperactive and prone to (cheerfully) destroying order in a classroom. Once, while I was moving band equipment, chairs and stands across the hall from the band room for an assembly in the gym, I instructed him to load percussion equipment on a flat pushcart. (Teacher tip: Always give restless students an important job.)  

Instead, he assembled the drum set on the cart, then had another kid push him down the hall while he pounded out a little Metallica. Down the hall—and past the office. It didn’t end well for either of us. He wasn’t a bad drummer, by the way. According to mom, it was his favorite class.

I looked him up on internet, and he’s now a multimillion-selling real estate agent. Go figure.

I taught for two more decades after that day I first heard of ADD. Lots more students were diagnosed with ADD, over time—then, ADHD. My colleagues and I talked often about accurate language, and accurate diagnoses, and the differences in kids when they were medicated. Sometimes, parents let teachers know their child had been diagnosed—sometimes, they didn’t.

I took kids to camp and on field trips where I had to administer their ADHD medications, or have conversations with their concerned parents about behavior issues when they were unmedicated—at an evening performance or band camp.

And I often felt grateful that I was teaching band, with 65 students at once, all holding noisemakers. There was a lot of stimulation in the band room, plenty of activity. There was also discipline (because otherwise there would be chaos), but my attention-deficit kids could tolerate rules and procedures, as long as they were moving and doing things. Mostly.

I also taught 7th grade math for two years. I found that maintaining student focus with 28 students in a desks-and-chalkboard setting was often way more difficult than keeping 60 band kids on track.

Read Paul Tough’s piece, if you get a chance. It’s nuanced and layered with contradictions, like most things about schooling, and raising healthy children. We could be doing lots more for kids who are immersed in screens and entertainment daily, and have difficulty staying on task when that task involves paper and pencils.

But then—we could be doing a lot more for many kids, who bring their various backgrounds and issues to school. If only we had the resources. And a genuine commitment to the next generation.

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by nflanagan

Trump and his “Aptitude for Music”

There are so many things to be said about the ongoing demolition of the American government that your average reader—even someone who follows politics closely–can’t keep up. Everything from the Massive Erroneous Deportation to the Declaration of Independence in the Oval Office to the biggest upward transfer of wealth in history. Not to mention Goodbye to the Department of Education.

Lots of great writing about where we find ourselves as a nation, as well—I am learning to get along without the Washington Post, with the great political commentary coming from independent newsletters like The Contrarian, Meidas, Robert Reich, Heather Cox Richardson, Lucian Truscott, The Education Wars and the Bulwark, which are only the ones I’m currently paying for. Can’t add much, beyond my personal open-mouthed horror, to the wall-to-wall political coverage available.

However. Here’s one inane Trump declaration where I have considerable expertise: Touring Kennedy Center, Trump Mused on His Childhood ‘Aptitude for Music.’ 

In case you’ve missed it (and you’re forgiven if you have): President Donald J. Trump — who recently overhauled the once-bipartisan board of directors at the John F. Kennedy Center for the Performing Arts and installed it with loyalists who elected him to serve as its chairman — held court Monday in a place that he had not publicly visited during either of his terms in office: the Kennedy Center.

Remarks were made to the Washington Post by Trump officials who recently toured the arts venue and described it as “filthy,” noted that it “smelled of vomit,” and added that they “saw rats.”

But not to worry! Trump alone can fix the Kennedy Center. In fact, Trump—who could have been a superb musician, if his parents hadn’t pushed him into becoming an outstanding athlete and phenomenally successful businessman instead— can add “born arts connoisseur” to his  already-substantial resume’. Because ‘the test’ showed what we’ve all missed: the guy who bragged about punching out his music teacher in second grade was really an untapped musical genius.  

First of all: Hahhahahhahaha.

Like all Trump anecdotes—Sir! Sir!– this one is mainly bullshit: He told the assembled board members that in his youth he had shown special abilities in music after taking aptitude tests ordered by his parents, according to three participants in the meeting. He could pick out notes on the piano, he told the board members.

If you polled actual music teachers, all of them could tell you stories about small children whose parents considered them exceptional, because they could dance to a beat , clap a rhythm or pick out a tune on the keyboard. Many of them had a great-grandmother who taught piano or uncle who was a whiz on the saxophone—thereby confirming that their talent was inherent, according to mom.

Some of those kids (especially the ones whose parents encouraged practice and persistence, attending every concert) turned out to be good musicians, after some basic musical instruction. Others, not so much.

Second: Testing children’s innate musical ability has fallen out of favor, for the same reasons that other standardized testing has been rightfully criticized. In the post-war years, a ‘musical abilities test’—the Seashore Test—was popular, often used to determine who should get to use expensive school-owned instruments. I took it myself, in the 4th grade.

What the Seashore Test did, mostly, was identify kids who had some musical experience—piano lessons, singing in the church choir, music-making in their families. Because the more you do music, the better your ‘ear’ and sense of rhythm. Kind of like the way kids who go on family trips to the library or museum get a leg up on other kids, when tested on their reading abilities or content knowledge.

Is there such a thing as talent? Sure. But testing as a means of determining talent—or taste, or creativity—when the testee is a child is pointless. Genuine, exceptional talent emerges as a result of passion and tenacity and, sometimes, good luck.

Here’s a story about my own failing in assessing talent, as a music teacher.

Why did such testing fade away? Because it missed a lot of students who became strong musicians—singers and trombonists, the lead in the school musical—down the road.

Lesson learned: ALL children should all enjoy making music in our schools. Because you never know if someday your child might be Chair of the Kennedy Center Board.

by nflanagan

Diversity, Political Culture and Middle School Band

Like all educators, I’ve been following the repercussions of the “Dear Colleague” letter the federal government sent to public schools, threatening to cut off funding for schools that dabble in things like human rights and accurate history. The fact that the poor, strapped (snort) Department of Education used some of their evidently dwindling resources to set up a snitch line so parents could rat out teachers and school leaders is telling.

Dear Colleague, my ass.

More like Big Brother is watching. Or Here’s Our Grand Portal of baseless conspiracy theories and fear-mongering to support so-called “parents’ rights”—jump right in!

To make this all seem “normal,” the ED sent out a nine page read-what-our-lawyers-say explainer that further muddies the waters. The purpose of this second epistle seemed to be upping the threat while appearing to be efficient and legal-ish.

Many times, in my long career as a vocal and instrumental music teacher, I’ve had dear colleagues (ahem) express mild envy over that fact that the general public saw my subject discipline as what we used to call a “frill”—nice, but neither substantial nor essential.

Parents, these teachers suggested, didn’t really care about what kids were learning or singing in music class. It was an elective, not part of the more important career-preparation/serious-academics curriculum. In other words, my students were not being tested on the music curriculum, like theirs were. In band and choir class, we were just, you know, playing around. Fluff.

As you may imagine, I’ve written countless blogs and think pieces about what kids take away from a quality music program. If you think that the arts are a value-free zone—not tested, so not important—I’ve got news for you.

The classroom where I spent more than 30 years, teaching secondary vocal and instrumental music, was a platform for learning about lots more than the fingering for Eb and how long to hold a dotted quarter note. It was a place where we could explore how the music that students are marinating in, 24/7, came to be—a cultural voyage, through time and place, and the human response to make art reflecting the artist’s circumstances.

Proof of that–a couple of days ago, a young band director, on a Facebook page for instrumental music, asked his dear virtual colleagues for advice on this dilemma: His 8th grade band had been preparing Moscow 1941, a terrific composition, for an upcoming performance. Given the current fluctuating official opinion on Russia, Russia, Russia, he was stymied by his middle schoolers asking if they were playing a Russian march to show support for the Trump administration.

What do I do? he asked. Do I tell them Russians were the good guys in 1941, but not now? Do I say it’s just notes and rhythms, forget the title? Do I just pick something else? The kids like the piece and we have it ready for performance. Also—I’ve already talked to the kids about great Russian composers and the dark and moody music they have produced, over centuries.

First—I love that there’s an online forum for discussing these professional issues. Responses were mostly thoughtful, ranging from “tell kids the truth about Russia, then and now” (including a couple of good resources) to “get your principal involved.” There were also a few “avoid conflict, always—dump the piece” responses, which I took as evidence that teachers, in general, are rightfully anxious about threats from federal, state and local officials. Music programs are chronically in the crosshairs and choosing music that Trump-voting parents could misinterpret could be risky.

The discussion morphed into examples of band directors who chose music to represent Ukraine, and other masterworks inspired by political events, like Karel Husa’s Music for Prague, 1968. This is what the arts are supposed to do—help us make sense of the world.

Back in the 1990s, I bought a piece for my middle school bands called A Lantern in the Window, a musical depiction of the Underground Railroad. There was a quiet, spooky opening, followed by a pulse-pounding chase, and the piece ended with a richly harmonized quote from an old Negro spiritual, Steal Away to Jesus.

I programmed Lantern often, every two or three years, because it was a perfect teaching piece. There were multiple tempos and styles, and I could talk about the use of familiar songs, how a few measures could remind us of a powerful cultural idea.

Students always wondered why an enslaved person would believe in Jesus—and yes, these conversations had to be carefully handled. But they were worth it. They illustrated the power of music to tell an important story. And that, I thought, was the heart of my job.

Last week, “The President’s Own” Marine Band quietly canceled a concert program originally billed as the “Equity Arc Wind Symphony.” The performance was to be the culmination of a “multi-day music intensive with musicians from ‘The President’s Own’” and high school musician fellows selected through auditions organized by the Chicago-based Equity Arc, a nonprofit organization that provides “specialized mentoring support for young BIPOC musicians and helps institutions take meaningful steps toward equity and inclusion.”

When I see stories like this in the news, I wonder how music teachers, specifically, can stand against federal threats. Our job—our low-paying, high-importance, mega-stressful job—is to give children of all ages, colors and abilities the chance to love, understand and perform music. Politicizing that—for whatever stupid reason—is both wrong and damaging to children and to our American culture. That’s a good reason to push back.

I have empathy for teachers, like the band director worried about Moscow, 1941, but I also know that huge masses of the middle class workers will have to stand against the takeover of our government and our national culture in order to stop the carnage going on right now.

Deep breath. Buck up. There is lots of work to do.

by nflanagan

Five Things Your Child’s Teacher Accomplished Last Week

When I first heard about Elon Musk’s email blast to over two million federal employees directing them to submit approximately five bullet points of what they accomplished in the previous week, I was reminded of a couple of school administrators from my past.

Eugene Robinson called Musk’s scheme “an exercise in contempt”—also a great description of some of the so-called professional development teachers routinely endure. When a principal doesn’t trust their professional staff to know what they’d like to do with time available for their own learning or planning, you end up with meaningless exercises like “five things I did last week.”

Ultimately, it’s about control.

Eugene Robinson, again: Thus begins the inevitable power struggle at the court of Mad King Donald, between his various ministers of state and his billionaire Lord High Executioner.

No word yet on whether the soon-to-be defunct Department of Education will demand five bullet points of the 3.8 million public school teachers in the U.S., given that 13.7% of the funding for public schools comes from the feds, give or take.

But there’s no need to put teachers through that particular, umm, wood chipper. I can supply the federal government with five bullet points that apply to all teachers, summarizing their most recent contribution to the education of America’s youth.

Here are five things that all teachers accomplished last week:

  • They showed up. They showed up when the driving was treacherous, even when their own homes were threatened by floods. They showed up when they were sick or hadn’t slept, because it’s easier to teach with a cold than find a sub. They showed up because it was test day, or the field trip, or opening night of the school play, or because a particular student didn’t do well with strangers at the head of the classroom. They showed up, because thanks to a global pandemic, we now know that virtual school is not the solution to cheap and easy public education. Personal relationships matter.
  • They planned a learning experience that failed. That’s par for the course, by the way. Most lesson plans fail to accomplish their goals, 100% and immediately. That’s because kids learn differently, through different means and at different rates. The slam-dunk lesson plan that teaches everyone all they need to know, challenging the brightest and scooping up the laggards, doesn’t exist. What happens when a lesson goes sideways today? Experienced teachers adapt and adjust–and reinforce tomorrow.
  • They dealt with diversity, equity and inclusion, even the AP teachers with classes of 12 well-behaved senior calculus students. D, E and I are endemic in K-12 education—not the fake shorthand of “woke,” but the bedrock truth-in-practice of embracing student differences, playing fair as a teacher, and building a learning community where everyone is valued.
  • They exposed themselves to the viral miasma of 30 small, touchy-feely children, or perhaps 150 sniffly teenagers, in their role as caretaker. Let me repeat that: they acted as caretakers, with the school being a safe and (key word) free place for children of all ages to spend their weekdays. The lack of affordable childcare across the country makes schools a first line of defense in an economy where parents need to be in the workplace.  And parents send their kids to school when they’re sick. #Truth                       
  • They did the intellectual heavy lifting of observation, instruction, assessment and accompanying record-keeping on the learning of a large number of children. This, of course, is a teacher’s actual job, and it’s harder than it looks to the casual observer. Teachers take their work home—not just grading and lesson plans but worries and concerns. Keeping tabs on the students in their charge—so they could learn.

Here are some things your child’s teachers did NOT do last week:

  • Go out for lunch at a nice restaurant and indulge in a glass of wine.
  • Use the bathroom whenever the urge arose.
  • Spend most of their day in an office or cubicle, blessedly alone with their thoughts and their work.
  • Talk to other adults for an extended time–on the phone, or in casual conversation.
  • Duck out for a medical appointment that had to be scheduled during the workday.
  • Decide to knock off early, and get in a round of golf.

So—should the Billionaire Lord High Executioner come after public school educators, further annihilating America’s once-proud, once-functional institutions, keep your heads down and just say no to the five bullets.

by nflanagan

Who is in Favor of Authoritarianism? Are Schools Authoritarian?

In 2014, we went on a much-anticipated two week cruise—the Grand European, from Budapest to Amsterdam. On the first day, we took a day-long tour of Budapest, with a charming and articulate guide. First stop: Heroes Square.

Our guide was a proud and patriotic Hungarian, well-versed in her nation’s history, all the way back to Atilla the Hun. I am embarrassed to say I knew very little about modern-day Hungary, except for the fact that Hungarian citizens are universally musically literate, because of Zoltan Kodaly, whose method of teaching music to children is internationally renowned.

As the distracted touring group wandered around snapping pictures of the impressive statuary, our guide completed her thumbnail history and then, very quietly, said that Hungarians—so brave and bold—were losing their democratic independence to their authoritarian Prime Minister, Viktor Orban.

Glancing around, she spoke for perhaps two minutes about how he was suppressing freedoms and dismissing the courts, stealing money and power from the people. It was clear that she was nervous, and that this was not part of her assigned guide-spiel. Most of the Americans in this heavily American group were not paying attention to her final, whispered words: You Americans are lucky.

That was 10 years ago. Today, from a piece entitled The Path to American Authoritarianism:

Democracy is in greater peril today than at any time in modern U.S. history. America has been backsliding for a decade: between 2014 and 2021, Freedom House’s annual global freedom index, which scores all countries on a scale of zero to 100, downgraded the United States from 92 (tied with France) to 83 (below Argentina and tied with Panama and Romania), where it remains.

The country’s vaunted constitutional checks are failing. Trump violated the cardinal rule of democracy when he attempted to overturn the results of an election and block a peaceful transfer of power. Yet neither Congress nor the judiciary held him accountable, and the Republican Party—coup attempt notwithstanding—renominated him for president. Trump ran an openly authoritarian campaign in 2024, pledging to prosecute his rivals, punish critical media, and deploy the army to repress protest. He won, and thanks to an extraordinary Supreme Court decision, he will enjoy broad presidential immunity during his second term.

While this is a powerful statement, it is not difficult to find a dozen pieces, by credible authors, in credible publications, saying pretty much the same thing, over the last three weeks. We are headed toward Hungary (Global Freedom Score: 65) or perhaps Saudi Arabia (GFS: 8), where our President is now going to sell out Ukraine (GFS: 49).

It’s clear we are not the land of the free anymore. Nor are we the home the brave. We’re the home of the partisan cowardly and the feckless appeasers.

It is easy to point fingers at the clueless voters who wanted cheaper eggs (and, one hopes, a corresponding end to galloping and threatening bird flu). It’s a short distance from there to wondering why schools are turning out more and more dumb people. If people understood the importance of preserving our liberties, we wouldn’t find ourselves with a completely incompetent president. Again.

This—the ‘let’s blame schools’ rationale—is always popular when things are shaky politically. Richard Nixon blamed ‘bums blowing up campuses’ for political unrest, rather than his own disastrous foreign policy. Academic and political scholars spent decades comparing Johnny and Ivan, invariably coming to the same conclusion: our schools suck, when it comes to preparing upstanding and industrious citizens. That we are now preparing to aid Russia in its criminal intent to capture some or all of a struggling democracy, Ukraine, is the ultimate irony.

Schooling is actually one of those public institutions where a kind of benign authoritarianism—because I said so—is commonplace, even approved. When Alabama Senator Tommy Tuberville suggested that kids who have ADHD don’t need medication—they need to be whipped with a belt—there were plenty of MAGA types nodding in agreement.

The rise in book-banning, the faux outrage over the fewer than 10 trans athletes (out of a half-million) in college sports, the equally faux outrage over “CRT” and “DEI” (both of which should require scare quotes)—these are happening because public education is funded and controlled by the government (as accountability requires).

There’s a reason why the Department of Education is being so quickly dismantled. It’s not a business (as everyone is fond of saying). It doesn’t make money. It’s entirely dependent on a mixture of public funding streams. There are accountability strings (state and federal) on nearly every aspect of the way public education runs, from where the money goes, qualifications for workers, rules for instructional materials and practices, punishments for low test scores, how to get kids to school, even when they prefer not to go.

For the current administration, bent on “saving” federal dollars for their own preferences, breaking up this monolith will be a giant display of power that impacts some 50 million students and their families. Think you’re in charge of your local school, your classroom? Think again. Easy peasy.

No, the federal government–and supporting Republicans and conservative courts–say. No, we don’t want your media literacy classes. No, we don’t want kids nosing around in issues like fairness and equity in our recent history. No speaking Spanish. No arts classes or events to help students make sense of the world they live in. No vaccines to protect them, or accurate health information.

No, we don’t want you out there teaching kids to ferret out the truth.

I think about our Hungarian guide all the time, especially recently, watching Tucker Carlson gush about what an amazing, transformative job Viktor Orban has done. At the time, she seemed a little desperate, sharing her political beliefs with American strangers.

Now, she seems like a prophet. Guard what you have. You never know when you’re going to elect a despot. Before our schools crumble, I hope every teacher will gather up their courage and speak truth to power, even to first graders.

As Steven Bechloss wrote: Despite this onslaught of gaslighting, aggression and attacks on facts, don’t assume we are powerless to respond. This is our duty to the future and the truth.